‘Staying Close to the Land With Plein Air Painting’ AX Mina, Hyperallergic, 18 September 2023

‘Plein Air Is a Sobering Reminder of Human Impact on the Environment’ Thao Votang, Hyperallergic, 29 August 2022  

‘Collaborations with Nature: A new ‘school’ of art and geography gathers artists for creative fieldwork in the Sonoran Desert’, Kimi Eisele, High Country News, August 2022 Vol. 54 No. 8

‘Review: Plein Air Challenges Assumptions and Aesthetics at MOCA Tucson,’ Lynn Trimble, Southwest Contemporary, 17 June 2022

‘Keys to Observation: To Make a Picture and to Take a Landscape,’ Ryan S. Jeffery, X-TRA, Summer 2019 Vol. 21 No. 4

‘Floating Paintings, Apocalyptic Sunsets, and Windows ‘98: It’s not a dream, it’s Susanna Battin’s Key Observation Points at Los Angeles Contemporary Archive,’ Georgia Lassner, UN-PUB-LISHED, 24 Sept 2018

‘Four Arts & Culture Organizers Speak Up on the Centrality of Equity in Their Work,’ Bethany Martin-Breen, The Rockefeller Foundation Blog, 22 Mar 2017

‘Art, celebrity and how Standing Rock will shape protest in the Trump years,’ Carolina A. Miranda, The Los Angeles Times, 7 Jan 2017

‘Fine art, writ large: Billboards become gallery space,’ Greg Hanscom, Grist, 10 Dec 2011

‘Horizon Repair,’ BLDGBLOG, 29 Nov 2011

‘Window by Susanna Battin ~ 15 Freeway,’ LA TACO, 30 Nov 2011


Featured work, ‘Natureculture’, editor Grace Denis, In, From & With: Exploring Collaborative Survival, Circadian, Summer 2021

‘How to View a Landfill’, artist book, edition of 60, printed by Super Hit Press and Los Angeles Contemporary Archive, 2019

Featured work, ‘Fieldsweep Recording’, guest editor Ian Garrett, Mammut Magazine: SOLASTALGIA, Fall 2010