Press:
‘Staying Close to the Land With Plein Air Painting’ AX Mina, Hyperallergic, 18 September 2023 https://hyperallergic.com/845130/staying-close-to-the-land-with-plein-air-painting-armory-center-pasadena/
‘Plein Air Is a Sobering Reminder of Human Impact on the Environment’ Thao Votang, Hyperallergic, 29 August 2022 https://hyperallergic.com/751294/plein-air-is-a-sobering-reminder-of-human-impact-on-the-environment/
‘Collaborations with Nature: A new ‘school’ of art and geography gathers artists for creative fieldwork in the Sonoran Desert’, Kimi Eisele, High Country News, August 2022 Vol. 54 No. 8 https://www.hcn.org/issues/54.8/collaborations-with-nature
‘Review: Plein Air Challenges Assumptions and Aesthetics at MOCA Tucson,’ Lynn Trimble, Southwest Contemporary, 17 June 2022 https://southwestcontemporary.com/review-plein-air-challenges-assumptions-and-aesthetics-at-moca-tucson/
‘Keys to Observation: To Make a Picture and to Take a Landscape,’ Ryan S. Jeffery, X-TRA, Summer 2019 Vol. 21 No. 4 https://www.x-traonline.org/article/the-keys-to-observation-to-make-a-picture-and-to-take-a-landscape
‘Floating Paintings, Apocalyptic Sunsets, and Windows ‘98: It’s not a dream, it’s Susanna Battin’s Key Observation Points at Los Angeles Contemporary Archive,’ Georgia Lassner, UN-PUB-LISHED, 24 Sept 2018 https://un-pub-lished.com/2018/09/24/susannabattinatlosangelescontemporaryarchive/
‘Four Arts & Culture Organizers Speak Up on the Centrality of Equity in Their Work,’ Bethany Martin-Breen, The Rockefeller Foundation Blog, 22 Mar 2017 https://www.rockefellerfoundation.org/blog/four-arts-culture-organizers-speak-centrality-equity/
‘Art, celebrity and how Standing Rock will shape protest in the Trump years,’ Carolina A. Miranda, The Los Angeles Times, 7 Jan 2017 https://www.latimes.com/entertainment/la-et-hollywood-values-updates-art-celebrity-and-how-standing-rock-1483650229-htmlstory.html
‘Fine art, writ large: Billboards become gallery space,’ Greg Hanscom, Grist, 10 Dec 2011 https://grist.org/cities/2011-12-09-fine-art-writ-large-billboards-become-gallery-space/
‘Horizon Repair,’ BLDGBLOG, 29 Nov 2011 http://www.bldgblog.com/2011/11/horizon-repair/
‘Window by Susanna Battin ~ 15 Freeway,’ LA TACO, 30 Nov 2011 https://www.lataco.com/susan-battin-window-15-freeway/
Publications:
Featured work, ‘Natureculture’, editor Grace Denis, In, From & With: Exploring Collaborative Survival, Circadian, Summer 2021 https://circadian.co/product/in-from-with-exploring-collaborative-survival/
‘How to View a Landfill’, artist book, edition of 60, printed by Super Hit Press and Los Angeles Contemporary Archive, 2019 https://lacarchive.com/item/how-view-landfill
Featured work, ‘Fieldsweep Recording’, guest editor Ian Garrett, Mammut Magazine: SOLASTALGIA, Fall 2010 http://mammutmagazine.us/download/mammut_issue4_v10_screen.pdf
‘Staying Close to the Land With Plein Air Painting’ AX Mina, Hyperallergic, 18 September 2023 https://hyperallergic.com/845130/staying-close-to-the-land-with-plein-air-painting-armory-center-pasadena/
‘Plein Air Is a Sobering Reminder of Human Impact on the Environment’ Thao Votang, Hyperallergic, 29 August 2022 https://hyperallergic.com/751294/plein-air-is-a-sobering-reminder-of-human-impact-on-the-environment/
‘Collaborations with Nature: A new ‘school’ of art and geography gathers artists for creative fieldwork in the Sonoran Desert’, Kimi Eisele, High Country News, August 2022 Vol. 54 No. 8 https://www.hcn.org/issues/54.8/collaborations-with-nature
‘Review: Plein Air Challenges Assumptions and Aesthetics at MOCA Tucson,’ Lynn Trimble, Southwest Contemporary, 17 June 2022 https://southwestcontemporary.com/review-plein-air-challenges-assumptions-and-aesthetics-at-moca-tucson/
‘Keys to Observation: To Make a Picture and to Take a Landscape,’ Ryan S. Jeffery, X-TRA, Summer 2019 Vol. 21 No. 4 https://www.x-traonline.org/article/the-keys-to-observation-to-make-a-picture-and-to-take-a-landscape
‘Floating Paintings, Apocalyptic Sunsets, and Windows ‘98: It’s not a dream, it’s Susanna Battin’s Key Observation Points at Los Angeles Contemporary Archive,’ Georgia Lassner, UN-PUB-LISHED, 24 Sept 2018 https://un-pub-lished.com/2018/09/24/susannabattinatlosangelescontemporaryarchive/
‘Four Arts & Culture Organizers Speak Up on the Centrality of Equity in Their Work,’ Bethany Martin-Breen, The Rockefeller Foundation Blog, 22 Mar 2017 https://www.rockefellerfoundation.org/blog/four-arts-culture-organizers-speak-centrality-equity/
‘Art, celebrity and how Standing Rock will shape protest in the Trump years,’ Carolina A. Miranda, The Los Angeles Times, 7 Jan 2017 https://www.latimes.com/entertainment/la-et-hollywood-values-updates-art-celebrity-and-how-standing-rock-1483650229-htmlstory.html
‘Fine art, writ large: Billboards become gallery space,’ Greg Hanscom, Grist, 10 Dec 2011 https://grist.org/cities/2011-12-09-fine-art-writ-large-billboards-become-gallery-space/
‘Horizon Repair,’ BLDGBLOG, 29 Nov 2011 http://www.bldgblog.com/2011/11/horizon-repair/
‘Window by Susanna Battin ~ 15 Freeway,’ LA TACO, 30 Nov 2011 https://www.lataco.com/susan-battin-window-15-freeway/
Publications:
Featured work, ‘Natureculture’, editor Grace Denis, In, From & With: Exploring Collaborative Survival, Circadian, Summer 2021 https://circadian.co/product/in-from-with-exploring-collaborative-survival/
‘How to View a Landfill’, artist book, edition of 60, printed by Super Hit Press and Los Angeles Contemporary Archive, 2019 https://lacarchive.com/item/how-view-landfill
Featured work, ‘Fieldsweep Recording’, guest editor Ian Garrett, Mammut Magazine: SOLASTALGIA, Fall 2010 http://mammutmagazine.us/download/mammut_issue4_v10_screen.pdf